So it was only natural to employ the same architect, Frank Matcham. Seats towards the end of rows in the rear section are outside of the proscenium arch and sometimes offer a side-on view to the stage. The theatre was home to the D'Oyly Carte Opera Company for many years in the past. Oh dear god the legroom!! The Balcony overhang can slightly affect the view of seats towards the rear. Designed by architect Frank Matcham, the architect's goal was to build a large music hall, defining it to be 'people's palace of entertainment' of the time. I could have dealt with the safety bar being in the way but the light made seeing some of the stage impossible. It was a fantastic view. They were ok. Seating in The Upper Circle is from Row A to M with numbers 1 to 59. As the stage isnt heavily raked I couldnt see the stage floor from this position (when flat) so anyone shorter risks losing actors feet (and those red shoes although my 10 year old on a booster cushion says she could see them so perhaps not)!". They mayhave seats available or special offers when theatres do not. Many theatres offer discounted tickets on certain days or at certain times of the year. A quirk of architecture though means row K 19 to 36 gets a little more than the rest, and a reader noted side block L is also more generous. I could just see feet although I am very tall. Theres not a lot of leg room but its a fairly short show we we coped! The Upper Circle is slightly larger than the Royal Circle and is divided into three blocks of seating. "Premium seat" prices affect many seats in both central and side blocks from row C back as far as row Qat some performances. They were 5 rows back from the front, and just a little off to the right from centre of the stage. Having said that, there are seats being sold at 39.50 that will encounter all of these problems - as reprehensible as false statements at the box-office!". Row E in the Upper Circle is quite a good view. Seats offer side view but are close enough to see the singers' facial expressions. Id definitely say if seats are available though, itd be worth paying a little more to be in the centre block up there, or at least closer to the centre aisles. We were very impressed with our allocation as we were given F12 and F13 (F13 being an aisle seat so I could even stretch out a bit!). Booking Refund Protection All refunds are administered by Booking Protect. These seats were great as we had a perfect view of the stage", "G33 and 34: "Scrooge The Musical" (December 2012). However, I did note that the steepness of the steps seemed to be a problem for quite a lot of people. The only time you may have a restricted view in the Stalls is if the Circle overhangs, but this generally covers only the top of the stage which is rarely seen. Seat block Upper circle gets the best rating at York Barbican. ", "J7 and 8: As a six-footer I struggled for leg room but the view of the stage was mostly unrestricted, although if you dont like heights and it all became a bit too much for one heavily pregnant lady in the row in front of us sit lower down. Sophie Ellis Bextor Seating Plan - York Barbican - Theatre Layout - Seating Plan information for Sophie Ellis Bextor at York Barbican . London Palladium Seating Plan Simply click on a seat to access user reviews. Side Blocks: End of a row, but nicely central. The county hall hosts many attractions including the the Sea Life London Aquarium, and business events. It then rises and becomes noticeable in row F, good enough to allow fine views from many seats. The huge discount for these seats makes them very easy to recommend and I dont think you miss anything from the show either. The nearest tube station to the theatre is Oxford Circus Station which can be reached via the Bakerloo, Central, and Victoria lines. Most theatres have three sections: Stalls, Dress/Royal Circle, and Upper/Grand Circle. London W1F 7LA F is better, and the persons in F4 and 37 will probably feel the smuggest. Right in the middle, amazing! I wouldn't avoid these seats, but not put them first choice.". You lose a bit on the left, and for this production we always had one or two people missing off the left of the line, but very comfortable and plenty of room.". Disney proudly invites you to Be Our Guest as the most enchanted musical of all time, Beauty and the Beast, returns to London for a strictly limited season. Seat extremely uncomfortable. The overhang would be a problem if you were watching a show which had a lot of high up staging, but the show we saw didnt. The seating plan is separated into stalls, royal circle and upper circle. ", "F27: "A Chorus Line" (February 2013). Good view. The seats themselves are comfortable, but the leg room is dire and all the men around us looked like they were in agony. ", "M9 and 10: "The King and I" (July 2018). Divided into three sections by aisles running lengthways from the stage, the rows of seats fans out, getting wider towards the rear of the section following the curve of the stage. The booking process is provided by LondonBoxoffice.co.uk and booking fees may apply. While we enjoyed a lot of the show, our view was very restricted - apart from H40, we could not see the rear of the stage at all, and missed some of the plot. If you go to a theatre and have seat numbers 1-4, you expect some lack of visibility down one side, but from Seat 10? The theatre opened in 1930, with the first production being a revue show directed by Andr Charlot - Masquerade. What is important to know is that ALL restricted view side block seats are NOT for 'first timers' or those worshipping 'front and centre' but the monkey feels that given the problems (missing anything happening high up) of other similarly priced seats in the rear stalls, these two rows are going to give a chance to catch the show's atmosphere and effects in a way not possible elsewhere for the price. I ought to point out that although I'm short at 5ft 4, my husband, who is 5ft 11 was with me, and he couldn't see the stage floor either. That's a good question, and the answer is - a lot of shows! You are paying the same money so why settle for an inferior seat. Below top price, take the seats closest to the front and the centre aisles as possible, again following the centre block rule of taking the row just behind the more expensive one in front. The theatre has been transforming itself into a production house under its artistic director Thom Southerland since 2016. Some London theatres with a large capacity, such as the Coliseum Theatre, have an additional section called the Balcony or Gallery, which is right above the Upper Circle. By continuing to use our site, you agree to us using cookies in accordance with our. You can also check for last-minute deals on theatre apps and websites like Headout and Stubhub. Great views throughout and close enough to really see the expressions on the faces of the cast members. K19 and K20: Excellent view, and just about enough legroom to accommodate a 56 person without undue discomfort. Managed to get these seats on a 'day seat' rate a few hours before the show. ", B37, 38 and 39: Very little legroom between the rows of seats. Those in the side blocks in these rows also have little to complain of, though choose the centre block first. Plenty of legroom also. ", "Row L 11 and 12: "Cats" (December 2014). That's why we've created this comprehensive guide to all the theatres in London, complete with seating charts and useful information to help you plan your next visit. One reader notes that, "the seat I was sitting in was not lined up with the seat in front - which is a good thing for viewing as you are not directly behind perhaps a large person in front. One of the ladies in our row practically clung to me on her way past to her seat, I was just disappointed it wasn't a young man!! Otherwise, take D then C, and skip the row B ones if possible, not a great view for the bananas, feels the monkey. When I bought the tickets back in May 2010, no mention was made of them being restricted view. ", C15 to C29: "Sister Act", (James regular reader). Which are the most expensive seats in London Theatre? Just like the Mezzanine section in Broadway, the Royal Circle (also called the "Dress Circle") is the section right above the Stalls. Totally restricted view. I was offered these, being first in the queue, and they told me it was a "side view" which is fine for me to save some money. If someone goes to the loo during the performance, you can hear the sound of the hot air hand driers!". You are able to avoid the leaners in row A and those in row B who are trying to look over the top of the leaners. Fantastic seats! I am 5' 9" and found it incredibly uncomfortable. Designed by Bertie Crewe, the theatre opened with a production of The Three Musketeers in December 1911. As I am only 4'11 and unfortunately had tall people in front of me, I had to require a child booster cushion to get a good view. I was very happy in row N, though I always try for row E in any theatre. I was worried the stage would be too high and we'd struggle to see, and that was compounded when we walked in and I saw they've removed both row A and row B making C the front row, and our seats therefore second row. Featuring a proscenium arch (a vertical space above the stage; from where the curtain is lowered down, and sides), the theatre is one of the smallest in the West End. Designed by Gaston Laverdet and Marc-Henri Levy, the building was taken over by Warner Brothers at one point. However, I feel that the Palladium could do with some money spending on it, bring it back to its full glory, maybe some new seats. Plan Your Visit; About; Wall of Fame; Access; What's On at The London Palladium. I was lucky enough to get A16 and 17, which is slightly off centre (so the conductor was not in our way) but not too far to the side for much action to be obstructed by actors' backs. (It would, notes the monkey hope for the same luck if you sit there and are taller). A bit far away but clear enough view as it is tiered seating. and more. Was worth it, great seats with a very clear view. See notes. Toilets A ridiculous bargain for a fantastic view of the whole stage - it would be worth it paying full price for the view. Row L then K also have far more. But it turns out whilst they are the second row back and the stage is quite high, you can still see pretty much everything on the stage. ", "P16 to 21 and Q16 to 20: "Sister Act," (Joss). ", F30: The Sound of Music. The theatre is a Grade II listed building. I was able to see everything, including the yellow brick road, Toto, and the ruby slippers. Visitor reviews Helen Okay View 5/5 Comfort 5/5 Legroom 3/5 This unfortunate situation at least meant the person in C10 could move across one seat which was a slightly better view. Got a very good bargain price, but the view of the left hand side of the stage where most things were happening in the first half was pretty poor. (mostly, editor). I only really seemed to miss seeing the yellow brick road, and I had to turn around in my seat to see The Wicked Witch hanging from the ceiling. Plan Your Visit To The London Palladium Theatre | LW Theatres Book Now About Accessibility Groups News Our Partners Hire Our Venues Search Account What's On Theatres Gold Experiences The Beat Goes On Mother's Day Gift Guide This site uses cookies. View Joss Stone: 20 Years of Soul Seating Plan, View Beth Hart - Full Band Show Seating Plan, American Express Community Stadium, Brighton. Seat block Upper circle gets the best rating at York Barbican. ALSO SEETickettree.comfor great value "hotel and theatre ticket" packages.Other Independent S.T.A.R. The middle section of the Dress Circle usually has the best views of the stage. Bonjour! The actual view is excellent from most seats. At top price, they are tending towards expensive. Based on paying FULL PRICE (no discount!) 'The Play That Goes Wrong' is the longest running play in the theatre, and has been playing since 14 September 2014. Central seats in rows C- L are considered to be premium seats. You/Your/Yourself - A person who has made a booking . The whole auditorium offers excellent views due to the wide stage and steep rakes. Copyright 2023 www.LondonTheatre1.com. I think the best view would have been the dress circle. Seat rows are numbered from A - X in the stalls. This theatre has run a few favourite musical names like Andrew Lloyd Webbers 'Cats' and it will be home to the world premiere of Andrew Lloyd Webber's musical 'Cinderella'. Our seats were fine. It's the ultimate theatrical conundrum: legroom vs view! Current prices are advised at time of enquiry. DO NOT BE TEMPTED TO TAKE FRONT STALLS. They only knew about the latter from hearing comments from other members of the audience sitting further back. Happy with the seats, the rails didnt affect us door 99% of the show. For the view, best seats in the house!". 'Apollo, Shaftesbury Avenue, W.1 - Upper Circle, Dress Circle, Stalls'Vintage theatre seating 402443529204 ", "F21: "A Chorus Line" (February 2013). The orchestra is more visible from these seats than previously (certainly much more visible than for 'Sister Act') and there was much rolling of eyes, face-pulling and yawning from some of them during the more saccharine scenes - not what Id exactly call professional. Id say they remains the pick of the day seats, being just off centre (no conductors head in the way) and on an aisle (enabling a longer legged person like me to stretch out). ", "G24 and 25: ("A Chorus Line") (February 2013). Womens and Mens toilets are available on this level. The view was excellent, sound was fine and we had no problems with the legroom. Group bookings: 020 3925 2996. Seats were perfect., G26 to 28: (Mandi). They have informed me that the view was brilliant, they couldn't make out facial expressions, but and they didn't suffer from being next to the sound desk. These seats are divided into three sections namely Stalls, Royal Circle, and Grand Circle. I'd read up before on Theatremonkey about the best places to sit, and to me the Royal (Dress) Circle was the best bet. ", "Row H: "Sister Act" (June 2009). Turn to your left and take the next turning on the right, a pedestrianised space called Argyll Street. It is this closeness to the stage that make these the most coveted seats in the house, and the most expensive. It is worth avoiding the first and last six seats in all rows since the viewing angle is not great due to the curve of the circle and intrusion of the boxes. The good news is that the endmost seats, often up to 4 of them as far back as row F, and two more back to row I are normally discounted to as low as third (even fourth price). This is my favourite seat in the theatre, but does require some slouching and neck bending, especially in the opening of the show where the actors spend some time above the stage. Il s'agit de la 26e dition. The original theatre opened in 1911 as the London Opera House. "Front Row, centre section: 'Sister Act (Rebecca, 4ft 11) several times from the front row (centre section). Featuring horseshoe-shaped balconies, the theatre has Renaissance style throughout; in shades of white and gold, along with plush drapery. Boxes B, C, BB and CC are at the sides of the theatre just below Dress Circle level. If I were to sit here again I would chose the centre block in rows D to F only! London Palladium Seating Plan The Palladium contains just over 2200 seats and the auditorium is spread over three vast levels, the stalls, dress circle and upper circle. For a big show with a big set, I think you need to be much further back in the stalls to get a better overall view.". ", "M11 and 12: Sister Act (June 2009). Bars run across the front of the circle and rails end each row. A number of us both in row P, and in rows immediately behind and in front requested at the interval that the air conditioning was turned down. Good clear view but felt quite distant. Legroom felt fine (though none of us was taller than 5 foot 6 inches) though I suspect it would have been tight for my very tall husband had he been with us. Plus, with the costumes and make up being so impressive for this show, it was brilliant to be able to see every detail up close. "A14 to 17: "The Wizard Of Oz" (February 2011), (Katie). Row D: Close enough to see the facial expressions but sitting 2 rows back would have been better as, the stage is high so it blocks the view a bit and you can't see the dancers feet when they are towards the back of the stage". Take the two seats next to the more expensive ones if going for the side block option. A lot of the action takes place quite far back on the stage so I would imagine that quite a lot would get missed. Seating may vary from time to time depending on. Make sure you get the best view of James Martin Live at York Barbican. Ive been to the London Palladium many times - have they raised the stage even more for this show (perhaps thats why row A has gone)? Visitors to SeatingPlan.net haven't yet rated any of the seat blocks at London Palladium. In a majority of the theatres, the Stalls and Dress Circle sections are considered to have the best seats. The rear section of the upper circle can feel disconnected from the action but ticket prices usually reflect this and a real bargain can be had. For personal callers or by post: Bear in mind that there is no foot stretching space under seats ahead of row A seats. Got this for 22.50 through dynamic pricing GREAT seat at that price. Having read various comments and seen the whole section in red I was very concerned that I might be very uncomfortable. This website is not the official website of the London Theatre Tickets. From the 1980s the London Palladium become associated with large scale musicals including: The King and I with Yul Brynner and Virginia . There was a clear view of the stage and again leg room was very good. These seats are closest to the stage, thus providing the best views in the house. Very disappointing. (Took my) 5 year old daughter. The "Theatreland Parking Scheme" may be available. Inner aisle seats at the ends of rows B, D, F, H, J and L have a little more space for one leg to stretch into, J 19 having nine-tenths of the space in front clear and I19 having 50% free; while seats two seats off the outermost aisles in rows B to D seem to have a tiny bit less. Very good and the view was perfect. Public Transport: Nearest Underground: Oxford Circus (Victoria and Central Lines). ", E20 to 24: Must have been the best seats in the house perfect view at all times", E20 and E21: "Sister Act" (May 2009). We saw everything; ruby slippers, yellow brick road and Toto! No fee for printing your own tickets at home or collecting them on the day at the box office. Buy your tickets with confidence here. Upper circle up approx. What should I do if my ticket is double booked? Would definitely sit here again at a low price. Box Office through separate entrance, up five steps. I actually had no issues with legroom (being 6 foot) in this seat. Im shorter, but found there little room to move when I needed a change of position. The Grade II West End theatre was designed by architect Lewin Sharp. 261 Main Street, Worcester, MA 01608. info@thepalladium.net (508)797-9696. Superb seat. Rake is fairly shallow, but as long as you dont get anyone too tall in front you should be OK. Legroom? Wouldnt want to be any further forward though, or the stage is obscured. Here are the most popular ones: Tube. The Royal Circle is divided into three blocks of seating by aisles that run through the auditorium. A safety bar obstructs the first two rows, but this is reflected in the price of tickets. Any further forward and I wouldn't have seen either. For the most expensive seats up here, the fourth price stuff, monkey would take D and E for view. Fine view, but were expensive through the agency we bought them from., "G23 and 24: (James regular reader). Their mirror images are house right and house left, which describe the same directions. ", "Row S: 'Sister Act (September 2009), (Mark regular reader). So I'd definitely recommend them. All other events apart from Madonna,please call 0207 087 7966 or email access@lwtheatres.co.uk. Rows L and M seem very high above the stage and isolated due to an intruding wall at the back of the circle. This year's awards are selecting shows that opened between 21 February 2022 and 14 February 2023.The show has to have played in a theatre represented in membership of Society of London Theatre to be considered eligible, but that basically covers most West End theatres. But as has been stated, do avoid these seats if you have children as they wont be able to see., "B 24 and 25: "I Can't Sing" (April 2014), (Kate Neaves). . Thus, a Dress Circle seat for a London Theatre musical is recommended due to the view coupled with the price. ", "F 39 and 40: "Cats" (December 2014). Also, the most expensive seats are almost always the seats with the best views. The escalators from the platform deposit passengers in a large underground space with multiple exits, one of which is onto Argyll Street itself. Dead central and perfectly clear view of stage. Headout is building the future of how we experience our cities. ", "G20 and 21: "Sister Act" (June 2009) (Rupi). L20 and 21: (Tamara). The monkey would go central E (Gon Peak plus dates) if taking them. This would not make a huge difference but it is advisable you check the theatre seating plan before booking your tickets. If you're sitting in the first few rows of the stalls seats, you may even be able to touch the stage and see performers blink. It would take B and C last (C 5, 6, 32 and 33 being the first of these last resorts) as they do feel 'corner.'. Upload your seat view photos to earn Rewards points and get money off theatre tickets! I (being 511) thought the view was great from this location and was very happy with this price paid. 20112023 SeatPlan.com. Not blocking a view, just a heavy presence by the seat. Just before a performance, tickets are sometimes sold / held for collection at a desk in the foyer - allow time to check if you will be collecting tickets on the night. ", "P34: "The Wind in the Willows" (June 2017). NB: The Kingley Street Car Park, often listed on other websites as near this theatre, has now closed. The views from rows E to M is fairly clear in both centre and side blocks. 232 Tempest Drive, Stittsville For Sale, $725,500.00, MLS ID 1331526, Welcome to 232 Tempest Drive. (One more feels it dire for those of 5ft 8'' too). However, a big but is that they are directly behind the conductor and so we were head bobbing the whole time left and right to see around which got very tiresome. Extensive renovation work in 2010 means the seats are also extremely comfortable. Legroom was limited though. Good value for money but, being right at the side, you do miss some of the action on the far left of the stage and right at the back as the stage is very high. If very short and willing to accept bars, row A 5 to 2 and 46 to 51 are the cheapest in the house for those wanting a front row view on a budget. Could see everything, "D 1 to 5: "Snow White" (December 2018). We had a very tall man in front of us who was obviously uncomfortable; we could not blame him, but because he kept moving and fidgeting this blocked our view to the stage a lot of the time. The seating arrangements in most London theatres are typically divided into 6 sections - each section with a different view, price, and certain pros and cons. I am only 5 foot 1 and view was superb, could see everything. Low number side seats are preferable (and have nothing in front in B 1 to 4) and the cheapest of the seats (if the restricted view ones are split into two prices) shade the next price ones for value, slightly, it feels. Seats at the ends of rows may offer side-views of the stage. Go for the rest of the row too, over K - same view, a lot cheaper. Theatremonkey is an Affiliate Member of STAR. If you choose the "Theatreland Parking Scheme", you must get your car park ticket validated at the theatre's box office counter (the theatre attendant will insert the car parking ticket into a small machine which updates the information held on the magnetic strip on the reverse, thus enabling the discount). ", "M43 to 46: Provided a fab view for only 25 and I don't think it would be worth paying an extra 10 for seats 4 rows in front, especially if those seats were towards the far sides of the theatre. Being precisely dead centre was great too! A sound desk may irritate purists in V 21 to 29, W22 and 28 and XX 15, but most won't notice it. If you are short, and prefer being closer to the stage than row L (which is normally the same price), take B over A. From the 1980s the London Palladium become associated with large scale musicals including: The King and I with Yul Brynner and Virginia McKenna, Michael Crawford in Barnum, Singin in the Rain with Tommy Steele, Topol in Ziegfeld , George Hearn and Denis Quilley in La Cage Aux Follies, the Opera North/Royal Shakespeare Companys production of Show Boat, Jonathan Pryce in Oliver! However, if you are in the cancellation line right before the performance, you can get a premium seat for a nominal cost. The Upper Circle overhangs the Dress Circle at row C. It is high above the ground but is does not feel particularly distant from the stage or vertigo inducing. A real bargain at 30, however I think this seat is normally more expensive. Prices normally drop at around row R, making it a bargain even if you do have to duck to try to see the top of the stage if anything exciting happens there. O 48 is the best of a bad bunch with distance offsetting the poor viewing angle. "F20: "The Sound Of Music" (2007). ", "D18 and 19: "Cats" (December 2014). Seats in the centre block rows A to C are "premium." It is a shame because the actual seats are actually very comfortable. On the other hand, if a mere 20 they are well worth a thought. Here is a complete list of venues on . "Premium seats" occupy many seats in both central and side blocks from row A back as far as row G (I at peak plus performances). ", "K19 and 20: "Cats" (December 2014). A fantastic show, but nearly ruined by the lack of leg space. The curve of the row means these two have much better legroom than others in the same row should be good for someone up to about 6'. "6" and "9" are also subject to visual confusion. and being on the aisle was great. Myself, my husband and daughter (4 and a half) sat in these seats and they were fantastic. Distance to the stage was very good, with all of the action visible without much side-to-side scanning needed. The view was excellent, no doubt helped in that nobody was sitting in front of us, and legroom was good. It was not a problem though; they were brief things that were not upsetting to miss, although if possible they would have been good to see. Would highly recommend! The whole evening is spoiled by the severely limited view. "I16 and 17: "The Wizard Of Oz" (June 2011). From row V, aside from seats around the sound desk, the value is just fair. It was brilliant being sat so close, as I got to look more closely at facial expressions and costume detail. These seats offer very fair value and Theatremonkey prefers them to the Upper Circle on grounds of legroom, though accepts they are a tad more expensive. If below five foot five tall, try any seat in the circle; all others use the stalls when in doubt. I went in on the off chance they had a single cheap upper circle seat left and got offered this seat when I asked for the absolute cheapest single seat. It was only after the June 2016 refurbishment, the theatre was named the Nol Coward Theatre. Seating in the auditorium includes The Stalls, Royal Circle and Upper Circle. Also, even from row I you sure can feel the heat off the flares and even off those bright stage lights on the side of the stage that they blind you with (Im sure theyll have a technical name)! Moreover, there's sometimes a legroom issue, so tall people should avoid sitting here. APOLLO THEATRE, SHAFTESBURY Avenue, London. Novello Theatre is a West End theatre in London's bustling Covent Garden district. . The yellow brick road is barely visible from so close to the front, but in this production isnt as integral to the plot as youd perhaps guess. Currently Running: ", B22 and 23: The Wizard of Oz, (Chris B). since 2022. I arrived intending to buy day seats in the front row, but was told that as a student I could get better seats at the same price. Live chat with our experts 24/7, Happy customers across 10,000+ experiences, 5,000+ verified reviews with 90% excellent score, Featured and recommended by the best brands, Have a question? Is it better to sit in the Stalls or the Dress Circle? About; Shows; Theatres; Navigation Bus. Would recommend at 20-25 price. All boxes usually offer a fair, sideways view of the stage with only a minimal portion of the edges not visible. Some of them running the longest-running show in history Agatha Christie's The Mousetrap at the 550-seat St. Martin's Theatre since 1952 and others running the latest shows like Pretty Woman, Prince of Egypt, etc.
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